We were in Cape Cod for several days visiting Carl's parents in Wellfleet. We visited the Wellfleet galleries for two days in a row - Cove, Blue Heron, and two Left Banks. I looked and looked, trying to find somewhere that I "fit." No fit. I have deduced that my work is too strong for those galleries, that I put much more of myself into my work than feels - well, "polite" is the word that came to mind. I am generous and not very critical, so I tried hard to find work that moved me. Nothing. A few were definitely skilled, inventive, and I could almost call them art (now that's loaded....). But they didn't speak to my heart, gut, soul, spirit, or mind, deeply.
One exciting thing - Cove has rented out a part of it's space to "The Farm" - an exciting space with real art in it!!! Now that's not fair. But that's what I called it - . I'm not going to even describe it, but to say that it was drawings on paper exploring line, figuration, and space - but nice and viscerally so the lines, and the human touch, really speak to the viewer.
Yesterday we went to Provincetown galleries to research further. We went first to the Strand - and guess what! It is the old Provincetown Workshop space that I attended in 1967 when the teachers were Leo Manso and Victor Candell. Lifetimes ago. The director was absolutely friendly to me and the art was the real thing - nourishing, unpretentious, some of it edgy. The Strand is actually a co-op of nine long time locals. Good ones.
We went to the Provincetown Museum and - what a surprise this was - there was a huge 20 year retrospective of work by Tabitha Vevers, who I met at VCCA in 1992 or 1993. And she was THERE so we got to talk a while. Her work is not at the moment describable by me - maybe tomorrow. It is - let's say it's high end real art. You can google her.
We popped into a few galleries that looked good to me from the Provincetown gallery guide, and in one, Kobalt Gallery, we saw a bunch of work in encaustic. I was genuinely excited, because the work was good, and used drawing and painting skills, not just "pushing the wax," etc. I talked to the owner, who was putting up some work. She let us look at the stored encaustics, handle them, etc - very trusting and Carl says she could tell it was ok. Also I'd told her that I work in the medium. We had an interesting talk about sales - and I left her my Ceres card. I liked her a lot. This was a gallery where my work would fit - at least some of the recent work.
I'm definitely on an active search now. My long term goal is to continuously create good art and to find ways to get it into the right homes and institutions - and to have money flow my way in return. How that happens is open....